Let me introduce myself:

I am Linda Otterman, born in 1964, and I live in Zeist, the Netherlands.
I have been interested in drawing and sketching since I was young. I started painting at the age of 25. After taking lessons from various artists and at various art institutions, I now paint in groups or in my own studio. I share my knowledge and expertise through workshops and painting classes, and I exhibit my work at various locations across the Netherlands.
http://youtu.be/CRCLmXEhtZ8

I pick up themes for my paintings from all sorts of places: something that fascinates me in a conversation, a thought, an article, something in the garden or on the street—be it a specific color, the way light falls, or the deeper layers beneath the surface. It is something that occupies my mind, something I see or experience, or something that touches upon my own life or the lives of others.

I have a broad interest in the world around me. I like to focus on the positive and find deeper meaning in all kinds of ‘ordinary’ events or images. This results in paintings filled with a sense of wonder—whether it is about flowers, nature, or the beautiful composition and play of light in a landscape. I want to capture ‘movement,’ especially given that the body sometimes imposes limitations. The themes of movement and freedom can truly captivate me, leading me to create a large series of paintings featuring birds in flight and dance. I am also fascinated by the interplay between openness and enclosure, light and darkness, and the pull towards the light; these elements are reflected in motifs such as arches, vaults, niches, or urban scenes. People, spirit, beauty, and strength are also compelling subjects, as are emotions like grief, anger, and joy—themes that constantly inspire me. I am intrigued by the various ways of ‘being’ in life and the influence this has on one’s own experience of life and that of others. I enjoy exploring these subjects through styles ranging from the figurative to the abstract.
For years, I worked primarily with watercolors. In recent years, however, my focus has shifted to acrylics and/or mixed media.
Although watercolor is a challenging medium—since the paint's transparency makes corrections nearly impossible—I still love working with it. It is unique in the spontaneous and surprising effects created by the interaction of water and pigment, provided one can successfully control them. The outcome is never entirely predictable, and I find it a rewarding challenge to incorporate a wealth of color into my watercolors.
Acrylic paint is incredibly versatile. It is water-soluble and allows for layering, making it an appealing medium for exploring and building up an impression through the use of brushes and paint. Materials such as thin paper, salt, or sand can also be incorporated beneath or within the paint. This layering contributes to the painting's structure—its "skin." It creates exciting effects and allows for a fast pace, enabling me to work more expressively. That is why I am currently drawn to this technique so often.

Painting remains an exciting pursuit that holds a strong appeal for me; it is a continuous process. I might paint differently ten years from now, though my own artistic "signature" will undoubtedly remain. For me, this form of artistic expression is both a burden and a joy—a burden in the sense of a "need" to release ideas and emotions, but a tremendous joy when I succeed in doing so.

I hope to touch people with my paintings—whether they simply enjoy the work or recognize parts of themselves within it.

Linda Otterman (Tel: 06 484 484 39, lindaotterman@hotmail.com)